Resources ResourcesFilter:View allAudioCorrespondenceEssayJournalismOtherPoetryProgramme NotesYear published: Programme NotesGarden Pieces 2001Programme notes from Garden Pieces2001 Programme NotesFilm Poems 4: Messages 2003Programme notes from Film Poems 3: Messages2003 Programme NotesFilm Poems 3 2001Programme notes from Film Poems 32001 Programme NotesFilm Poems 2: Moments/Histories/Feelings 2000Programme notes from Film Poems 2: Moments/Histories/Feelings2000 Programme NotesFilm Poems 1999Programme notes from Film Poems1999 OtherAudience reponses to Blue Black PermanentNotes from the screening of Blue Black Permanent on 15 June 2019 at Summerhall, Edinburgh2019 EssayMichael Romer: “Poetry in Blue Black Permanent”Originally published in Cencrastus2006 EssaySarah Neely: “‘Ploughing a lonely furrow’- Margaret Tait and ‘professional’ filmmaking practices in 1950s Scotland”Originally published in Movies on Home Ground2009 EssaySarah Neely: “The bits of ourselves we leave behind: an essay in fragments”Originally published in MAP Magazine2016 OtherSarah Neely: Margaret Tait ResourcesOriginally published in Between Categories: Margaret Tait: Poetry, Portraits, Sound and Place2016 JournalismSarah Neely: “Archivos de la filmoteca: Margaret Tait y el ‘Poeta en Nueva York’ de Lorca”Originally published in Contraluz2015 Programme NotesNational Film Theatre programme brochure, October 2000Originally published by the British Film Institute2000 JournalismRobert Shure: “The Long Light Days of Margaret Tait”Originally published in Umbrella1972 Programme NotesMurray Grigor: Margaret Tait at EIFF 1970Originally published in the Edinburgh International Film Festival 1970 programme brochure1970 JournalismTamara Krikorian: “On the Mountain and Land Makar: Landscape and Townscape in Margaret Tait’s Work”Originally published in Undercut1983 EssayAlex Pirie: “‘Margaret Tait Film Maker 1918-1999: Indications Influence Outcomes”Originally published in Poem Film Film Poem2000 PoetryGerda Stevenson: ‘Orquil Burn (after a film by Margaret Tait)’Commissioned by Alchemy Film & Arts2019 Audio, PoetryMargaret Tait reading from The Hen and the Bees (1960)Digitised by Sarah Neely2011 Audio, PoetryMargaret Tait reading from Origins and Elements (1959)Digitised by Sarah Neely2011 Audio, PoetryMargaret Tait reading from Subjects and Sequences (1960)Digitised by Sarah Neely2011 Programme NotesMargaret Tait: “Desperately Seeking Cinema”Originally published in GFT Brochure (May – October 1988)1988 JournalismMargaret Tait: “Close-up of Rose Street”Originally published in Scotland's Magazine1957 JournalismMargaret Tait: “The Day I Bathed in the Roman Baths”Originally published in Edinburgh Evening News1961 EssayMichael Romer: “Malcolm Lowry’s Influence on Orcadian Filmmaker Margaret Tait”Originally published in The Firminist2011 EssayIan Goode: “Scottish cinema and Scottish imaginings: ‘Blue Black Permanent’ and ‘Stella Does Tricks'”Originally published in Screen2005 EssaySarah Neely & Alan Riach: “Demons in the Machine: Experimental Film, Poetry and Modernism in Twentieth-Century Scotland”Originally published in New Scottish Cinema2009 JournalismMike Leggett: “Margaret Tait at the London Film-Makers Co-op”Originally published in Time Out1980 JournalismMurray Grigor: “Obituary: Margaret Tait”Originally published in The Independent1999 Programme NotesMargaret Tait at EIFF 2004Originally published in the Edinburgh International Film Festival 2004 programme brochure2004 EssayRichard Demarco on Margaret TaitOriginally published as part of Interim Edition: The Margaret Tait Poetry Archive2018 EssayJoss Winn: “Calypso”Originally published as 'Preserving the Handpainted Films of Margaret Tait'2002 JournalismGerda Stevenson: “The late Margaret Tait, film-maker — an appreciation”Originally published in The Orcadian1999 PoetryAonghas MacNeacail: ‘Primula Scotica at Yesnaby’Originally published in The Orcadian1999 PoetryAlan Riach: ‘Tait’s MacDiarmid’Originally published in Homecoming: New Poems 2001-20092009 JournalismDavid Curtis: “Britain’s Oldest Experimentalist… Margaret Tait”Originally published in Vertigo1999 OtherResponses to Blue Black PermanentNotes from the screening of Blue Black Permanent on 21 October 2001 at The Lumière2001 CorrespondenceMike Leggett: “The Autonomous Film-maker: Margaret Tait: Films and Poems”Courtesy of Mike Leggett1977 JournalismPeter Todd: “The Margaret Tait Project”Originally published in The Media Education Journal2003 JournalismPeter Todd: “Remote Lives?”Originally published in Vertigo2004 JournalismPeter Todd: “Focus On: Margaret Tait”Originally published in 16+ Source Guide: Experimental Film2004 JournalismNick Roddick: ‘Tait of Grace’Originally published in Sight & Sound2015 JournalismAnnabel Nicolson, Peter Todd, Ute Aurand, Sarah Wood: “A Deeper Knowledge than Wisdom”Originally published in Vertigo2004 JournalismGareth Evans: ‘Tait Modern’Originally published in Vertigo2007 OtherSo Mayer introduces Blue Black PermanentIntroduction to Blue Black Permanent (1992), screened at the BFI, London, 11 November 20182018 EssaySarah Neely: “Stalking the Image”Originally published in Screen2008 EssayPeter Todd on Margaret TaitOriginally published by LUX Online2004 EssayAli Smith on Margaret TaitOriginally published by LUX Online2005
